Anyone worried about Team Ninja loosing their penchant for sleaze with the departure of Tomonobu Itagaki can lay their qualms to rest after watching this recent Japan-only TV spot for Ninja Gaiden Sigma 2.




This commercial is depressing on a number of levels. Is this really the most creative implementation of the Sixaxis motion controls that the pervs at Tecmo could come up with?

So much for games growing up.

A delectable treat:
I've seen Inglorious Basterds twice now. I knew it would be better the second time. This is because Quinton Tarantino makes layered movies that are incredibly rich and satisfying. He strikes me as the kind of man who devours cinema and I think he aims to present something so tasty that it requires a second helping.
As I sat in the theater (both times) I was very aware of the audience behind me and was paying attention to their participation. This movie is as much about what's on screen as it is who's watching it in a Michael Haneke kind of way. We've all seen representations of people sitting in theaters on film. There is also the iconic representation of wide eyed faces lit with flickering light and the warmth of the cinema. This is how this movie made me feel. I could have been Michael Pitt in the Dreamers, Austin O'brien in Last Action Hero, or Audrey Tautou in Amelie. All these fine actors played characters whose eyes devoured the movies they watched. This is an analogy that I'm sure is not lost on the director. There were several scenes in the film which revolved around our main antagonist devouring sumptuous foods (creme and milk). The shots in this movie seem to savor the performances of the actors. Slow push-ins emphatically draw tension even when the scene is happening outside the frame. The scene where Landa devours his strudel, just before we expect him to lay into Shosanna, is a perfect example of this. During the conversation immediately preceding that scene, Zoller introduces Landa to Shosanna in German. The conversation takes place outside the frame and all we see is Shosann's face. She, of course does not speak German, so she is silent but we understand her predicament by the expression on her face. I can attest, one viewing doesn't cut it. It cinema made for cinema lovers.

Christopher Waltz performance as Col. Hans Landa stole the show.

I was expecting a completely different crowd after seeing the trailer, which can be very misleading. I was expecting a bunch of raucous Nazi haters booing and hissing with the ferocity of Hitler himself. It wasn't like that at all. The crowd was calm and actually cringed at the brutality in the film. Which surprised me. I thought for sure that Tarintino's goal was to coax that blood-lust out of his audience only to reveal it as an obvious parallel to the Nazi audience watching the propagandistic hero film. I was expecting my audience to be cheering for brutality against the "evil" Nazis while the Nazi audience cheered for the downfall of American soldiers in their little movie. This would have been the perfect parallel for me to elaborate on for paragraphs, but alas, it didn't happen. The crowd was quit civil. Which makes me wonder if Tarintino, as well as myself, underestimated the movie's audience. Or maybe I had really docile crowds. Either way, this revelation didn't really detract from the movie. It only added another layer to the cake.
If the trailer was truthful about anything it was Tarintino's use of hyperbolic characters that were so "colorful" that they couldn't be seen as anything other than the most broadly painted stereotypes. Aldo Raine's Tennessee accent, the frenchman's dairy farm, Hitler's villianesque cape are all supreme examples of this. But that's what made this movie so lush. It's not a history lesson, it's a re-imagining of the past painted in colors so vivid that it couldn't possibly be boring.

We already know that the director is more than capable of making an awesome revenge flick or two, but is this what we would normally consider a revenge movie? It seems to me that this is the kind of propagandistic retelling of history we would be used to from the opposing side. But why? I guess I'm still a little confused about this one. Is it to blur the distinction between them and us? Evil and good? Was it that deep? I suspect Tarantino didn't want any one to cut that deep into his elaborately structured supremely sweet cake (obviousness aside). I suspect, and I'm guessing he'd say the same, he just wanted to make a kick ass movie. Which it is, and damned tasty too.

P.S. I hope that Shane will chime in in the comments section.

It's been a couple of months now, but funny man Jay Leno is back doing what he does best: Late night comedy. Well, not so late now, I guess. He's on at 10pm instead of his original 11:30pm slot, now taken over by Conan O'Brien.
So you can sit back for an hour, have a few chuckles hopefully, watch your local crappy news, and then prepare yourself for two more hours of late night comedy with Conan O'Brien and Jimmy Fallon. Wow!
Really NBC? 3 hours of this stuff? Let's hope it goes well.
The show itself is basically the same stuff you saw Leno do on the Tonight Show, just a few bits rearranged, and with a new set. Jay hasn't changed, and his brand of not so over the top comedy hasn't changed either, and that's fine with me. I always liked him on the Tonight Show.
You want quirky, watch Conan.
A bit of a surprise, though, came when Jay got a little serious when talking with Kanye "the accoster" West about his VMA incident. I felt like I was watching a shrink talk with his patient.
But overall, solid show. It's very chuckle worthy. And what more could you ask for on free tv entertainment?

The people at Lucasarts responsible for the Hi-Def Monkey Island remake have been very busy.

Take a gander at their new game Lucidity for XBLA that is scheduled for release within a months time.

The Playstation 3 is billed as the most powerful gaming system ever created. Sure game developers could harness the power of the Cell to craft graphics that look marginally better than the competition, but if the Wii has taught us anything it's that people don't want amazingly slick 3D visuals anymore. That dream died in 2000 when Sega pulled the plug on the Dreamcast. The future of gaming is not about polygons, normal-mapping, and procedural animations. No. We're going back to basics.

Ladies and gentlemen, I present to you, the future of video games.



A localized version of 3D Dot Game Heroes for the Playstation 3 has yet to be announced but I'm sure that Atlus and Ignition are currently slogging it out in a bidding war to bring this title stateside.